It's been a heady year for Maroon 5, which won a Grammy for the song "Makes Me Wonder." How did it feel to win a third Grammy?
This is the height of the
awards side of things for music, and yet that doesn't change the
feeling we have of wanting to make music that's better and better. I
really feel a sense of awe that our band is where it is, with the
ability to play places like this for 12,000 to 20,000 people. I'm
thinking a lot about how to make the most of that and do the most good.
Did you have a goal for this album? How did you try to distinguish it from your first album, "Songs About Jane"?
There was a little bit of a conscious effort to separate it from the
sound of the first record. We wanted to have the production hit a
little harder and the fidelity be of higher quality. It was something
we shot for because we had more time and we had more equipment around
us, and better instruments. But at the same time, we did the same thing
when we did the first record, which was to just record the songs that
we'd written at that point in our lives and do it the best we could.
Is songwriting a democratic process for the band?
Everybody has different musical progressions knocking around in
their heads. Sometimes those will come together at sound check or in
rehearsal, and Adam will write a melody on it. Or maybe it'll be a more
concentrated effort where Adam and I sit down at the piano. Sometimes
Adam will just be driving around in his car and have a melody pop into
his head and he'll put chords to it.
"If I Never See Your Face Again" is a beautiful, multilayered song. How did it come together?
It was a very slow, methodical process. It started with a jam that
happened in our rehearsal space based on a guitar part that James
wrote. And then James and Adam made a demo of the song in its first
form with our producer, Mike Elizondo. And he laid down a bunch of
really great keyboard parts on it. And then we brought it into the
studio and I added some (parts) and it went through about three
different versions before it finally ended up the way it is on our
record. And when Rihanna came in, we gave it to another producer,
Tricky, and he put a bunch of new little twists on it sonically. So
that song has been worked on by a lot of people.
Rolling Stone magazine described Maroon 5 as
a "high ego" group, with a complex blend of personalities and personal
agendas. Is that true?
I'm going to have to say, "Unfortunately, yes." But also
"fortunately," because we're really aware of it. There are so many ego
problems around the world. Just look at this stupid political system
we've got going with these hugely expensive campaigns just so that
people can win. All that money could actually go toward solving
problems if there wasn't so much ego. But we're working on it.
Source: Seattle Post-Intelligencer